
Text
on this web page is taken from a brochure available from St. Andrews.
Please visit to obtain your copy or mail your request with
self-addressed business (A5) envelope, return postage, and £1 to:
Mrs.
Gill Sims, Spindles, Aller, Somerset, TA10 0QN , UK. Proceeds from the
sale of this leaflet go towards church upkeep. Requests from abroad
should be e-mailed to: DaveAndCelia@mac.com.
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Church Records
The following records are deposited in the County Record office in Taunton:
* Baptisms 1561-1867
* Marriages: 1560 - 1966
* Burials: 1560 - 1909
The registers of baptisms, marriages, and burials after these dates are held in the church.
We welcome visitors pursuing their roots and family history in Aller.
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Companion Publications
Available at St. Andrews
* The Bells
* King Alfred in Aller
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The Parish Church of St. Andrew, Aller
Architecture and History of the Church Building
Introduction
The Church of St Andrew stands on a low hill, which was once a small
island in the wetlands, and was the original location of the settlement
of Aller. After the monks of Glastonbury drained the moors in the 14th
century, the village moved first to the lower slopes of Aller hill, and
then back towards the church. It is probable that the first church was
established on this site in 878 to mark the place where King Alfred the
Great stood sponsor for the baptism of his former enemy, Guthrum --
leader of the Danes in Wessex -- and 29 of his oels (senior officers).
People have worshipped here since that time. (See companion leaflet,
King Alfred in Aller, available at St. Andrew’s.)
The Saxon church, probably built of wattle and daub, with its altar
placed on the baptismal site, was replaced about 1166 by a stone
building in the Norman style. It is a traditional belief in the village
that some timbers from the first Saxon church were incorporated in
later reconstructions. However, this is very unlikely as the roof of
the present church is Victorian, and the tower was built in the
beginning of the 15th century.
The Nave
The present nave almost certainly preserves the dimensions of the
Norman church. The south wall, which contains a late 15th century
window, is probably Norman at the eastern end. Although most of it
appears to have been rebuilt, the south doorway bears unmistakable
Norman dog-tooth decoration, protected from erosion by the late 14th
century porch (now a storage closet for the church). All the other
walls have been removed during later additions to the church. The outer
door to the south porch is Victorian and it replaced a much earlier
door. The earlier door bore a fine carving of a pelican piercing her
breast with her bill to feed her young with her own blood -- an ancient
metaphorical image representing the sacrifice of Christ. The carving
has survived, but is not on display. The porch contains a carved stoup
in the south wall. The south endtrance to the porch was walled up in
the middle of the 20th century.
The Chancel
The chancel was probably added in the late 13th or early 14th century,
as the east and north windows, the doorway in the south wall and the
angled corner buttresses are all typical of this period. There is a
simple aumbry to the east of the doorway. The windows on the south side
are late 15th century and the doorway leading to the vestry on the
north side is 19th century. Against the north wall in an elaborately
cusped niche, lies the effigy of a knight, probably Sir John of
Clevedon, who died in 1372. There are a number of well-reserved
tombstones in the floor.
The Tower
In the late 14th century, the esstate of Aller (then known as King's
Auler) was acquired by Sir Peter Courtney by marrage, and he made some
additions to the church. He built the south porch and erected the
tower, which has features of considerable interest. The supporting
arches suggest that he may have intended the tower to be builg on a
crossing with transepts to the north and south, and an extension of the
nave to the west. However, before his vision could be realized, he was
killed in a tournament and buried in Exeter Cathedral in 1405. The
embryo transepts which are both about 4 feet (1.2 m) long and have
carved stone vaulting running north-south and the west extension of the
nave is non-existent. The west window is late 15th century and is
probablyl a replacement for an earlier window. There is internal
evidence, but no external evidence) of a large window in the south wall
of the south transept. Over all the lowest stage of the tower gives the
impression of having been finished off using material intended for a
grander scheme. It is probable that three bells were installed in the
tower when it was built. In 1999 the bells were restored and augmented
to provide a ring of six to mark the millennium.
The North Aisle
In 1861, a faculty authorised the church wardens to "Take down and
remove the north wall of the nave; the gallery at the west end f the
church and approaces thereto. To build, rerect and set up and make an
aisle, north porch and vestry room (with entrance through the cancel
wall) repair and restore the tower and turret." The graves disturbed by
this construction were re-sited nearby, and the north wall of the nave
was replaced by columns. Although the architect's plans of the church
before and after the extension still exist, there are no associated
elevations. However, it would appear from the discovery, when the bells
were restored in 1999, of a filled-in window on the east side of the
tower at the same level as the small window on the west side of the
tower, that the pitch of the nave and chancel roofs was increased at
the same time. This view is supported by the fact that the roof timbers
of the nave and chancel are almost certainly Victorian. A board
commemorating the extension (not on display) states that the church was
able to seat at least 250 and that "The sittings are all free and
subject to annual allotment by the Church Wardens suitable provision
being made for the poor inhabitants." The total of 250 was only
achieved by filling the church with pews, including in the base of the
tower, and seating people very close to each other. Subsequently the
pews at the base of the tower and two pews at the east end of the north
aisle were removed. The church now seats about 175.
The effigy of the cross-legged knight in the northwest corner of the
church is probably Sir John of Aller, who died in 1272. He was given
permission in 1263 to found a chantry, which was built to the west of
the church. His effigy was probably ejected from the chapel at the time
of its dissolution in 1548. After the ejection, the effigy was placed
in the churchyard, where it remained until at least 1925, accounting
for its weathered appearance. When it was moved into the church is not
known.
The Stained Glass Windows
All the stained glass, with the exception of the memorial window in the
center light of the nave south window, is Victorian. Of particular
interest is the window in the north wall of the chancel, which depicts
Alfred the Great and commemorates the reign of Queen Victoria. The
wording compares the two manarchs and indicated the high regard that
the Victorians had for their Queen and their history. A companion
leaflet available at the chuch covers King Alfred in Aller.
The Commonwealth
The Norman font was removed turing the Commonwealth when churches were
laid bare. After the Restoration of Charles II in 1660, churches slowly
recovered and a new octagonal font was installed in 1663. In 1862, the
original font was recovered from a pond in the old rectory garden, and
resored to its original place in the church. It is this font that has
since been used for baptisms. The 17th century replacement was retired
to the east end of the north aisle, where it can still be seen. A local
legend states that the original font is the very one in which Guthrum
was baptised, but this font is Norman, not Saxon, and probably dates
from the time the Norman church was built.
The Jacobean carved wood pulpit, dated 1610, survived the upsets of the
Commonwealth. The Jacobean altar table also survived -- only to be
stolen in 1978, together with a Bible box and the chairs from inside
the altar rail. None of the stolen items were recoverd, and the present
altar and chairs are Victorian.
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